Monday, November 22, 2010

Judge Dredd (1995)

Go through my archives and you might notice that the overwhelming majority of the comic book movies I've reviewed were inspired by American comics. While Marvel and DC have the most representation in my past reviews, even the smaller companies whose material was translated into movies I've reviewed are from the United States. But American comics aren't the only ones that can be adapted into movies. England's even gotten into the act a couple of times. One such occasion came in 1995 with the release of Judge Dredd.

The titular character made his first appearance in 1977, within the pages of the second issue of famed British anthology comic 2000 AD. Created by John Wagner and Carlos Ezquerra (who borrowed the title from a horror comic conceived but abandoned by 2000 AD editor Pat Mills), Judge Dredd has spent the last three decades serving as 2000 AD's most popular recurring character. Hollywood took notice and turned Judge Dredd into a movie, but like nearly all comic book movies from the middle of the '90s, it was mediocre at best.

Sometime over the course of the next 990 years, the world goes straight down the crapper. The planet has become a desolate wasteland, with the majority of the human race being corralled into enormous "Mega-Cities." And in these Mega-Cities, the crime rate has skyrocketed to unconscionable levels. In response, the traditional justice system has been replaced by the Judges. They are the police, court system, and executioners all rolled into one, given the power to arrest, convict, and sentence criminals on the spot.

In Mega-City One, the most famous Judge of them all is Joseph Dredd (Sylvester Stallone). Dredd's unwavering devotion to the law and the lack of leniency he shows towards criminals have become the stuff of legend, earning him the respect of young cadets and the fear of the general public.

But when a news reporter critical of Dredd is murdered, all the evidence points directly at our hero being the culprit. The bullets retrieved from the reporter's body are traced back to Dredd's "lawgiver," a customized handgun that uses DNA identification to make it operable only in the hands of the Judge it is assigned to. In light of this, Dredd is found guilty and sentenced to life imprisonment at a penal colony in Aspen.

With Dredd out of the way, it opens the door for Rico (Armand Assante) — a psychotic ex-Judge who had framed Dredd for the reporter's murder — to cause havoc in Mega-City One by massacring Judges right and left. Dredd must find a way to return to the city, clear his name, and judge Rico for his many crimes.

I can't say I know a lot about Judge Dredd. I've never even seen an issue of 2000 AD, let alone actually read one. I could memorize his Wikipedia article and still feel like I know nothing. But what I do know is enough to convince me that Judge Dredd has the potential to make a kick-ass movie. But this movie does not live up to that potential. It's dumb, silly, and never reaches a plateau higher than mediocrity.

The movie was directed by Danny Cannon, who has spent the bulk of his career working on episodes of CSI and CSI: Miami. His film career hasn't been that notable, though, with the only other movie on his résumé that I recognize is I Still Know What You Did Last Summer. Cannon's work with Judge Dredd is actually pretty good, but it's not without its flaws. For one, he doesn't do much to separate it from the dozens of other futuristic action movies from the mid-'90s. It doesn't help that some of the digital effects are less than convincing, and the green screen work is just plain bad.

Cannon still makes a good go of it, though. For all those flaws, he manages to keep the movie at a steady pace and does his best to keep it from getting boring. He also gets some nice cinematography from Adrian Biddle and great music from Alan Silvestri. So at least there's something good about the movie, right?

But things start getting really bad when you take a look at the script. The script for Judge Dredd is lousy, no two ways about it. It's credited to William Wisher and Stephen E. de Souza from a story by Wisher and former New Line Cinema executive Michael De Luca, which is your first sign of trouble. It's not Wisher or De Luca that troubles me, but de Souza. I know he's written good movies, but after Street Fighter, seeing him listed in a movie's credits always fills me with a certain sense of dread.

Like I said, Judge Dredd's script is bad with a capital B. The story is threadbare, the dialogue is forgettable, and the jokes aren't really that funny. (The "I knew you'd say that" running gag is really lame, too.) The worst part of it is Fergee, a supporting character that ends up tagging along with Dredd during most of the movie. He's supposed to be the comic relief, but I don't see what's so damn funny about him. Fergee's transition from comics was a really rough one, because the character is useless and only serves as a way to make me hate an otherwise passable movie. I kept waiting for Dredd to just shoot him or leave him somewhere to die, and it never happened!

And rounding out my review is the cast. In the title role is Sylvester Stallone, who didn't exactly have the best of luck when it came to picking movies in the '90s. For every Demolition Man, Cliffhanger, and Cop Land, there were more like Rocky V, Daylight, and Stop! Or My Mom Will ShootJudge Dredd was just another entry onto the list of less-than-stellar Stallone movies from the decade. His performance here isn't as bad as some people say, though. It's most definitely not his best role, but it's far from his worst too. Stallone is pretty much playing every stereotype you'd expect from him, and that's entertaining enough for me.

Meanwhile, Armand Assante is gloriously over-the-top as our villain du jour. He's absolutely unrestrained, chewing the scenery every second he's on the screen. Assante is a heck of a lot of fun, if anything. Among the supporting cast, Diane Lane appears as Judge Hershey, the closest thing Dredd has to a friend. Her performance is a little bland, which is unfortunate considering how talented she is. The problem is that the role is so underdeveloped and uninteresting that Lane would have been hard-pressed to come up with a positive contribution.

The worst part of the cast, though, comes from Rob Schneider as the aforementioned Fergee. I noted that the character is supposed to be the comic relief, but he's the exact opposite of funny. Schneider is more annoying than anything, to the point that you'll wish you could beat the crap out of him if you ever got the chance. The character is awful, as is Schneider. But then, it's the same old Rob Schneider you'd see in every other movie he's ever been in. And I'm actually convinced that the only reason he ever gets any work at all nowadays is because Adam Sandler keeps letting him tag along to movie sets.

I know I've said a few negative things about Judge Dredd. But it isn't that bad. It's a decent enough time killer, something to turn on during a rainy day and just zone out. Of all the cheesy action movies out there, you really could do a lot worse than this. So I'm going to give Judge Dredd two and a half stars, bordering on three. And here's hoping that the Judge Dredd movie that's currently in production (with a planned 2012 release) will improve upon this one.

Final Rating: **½

No comments: