One of the first rules of making movies in Hollywood is that if it makes money, keep doing it. That's the big reason why there are so many Friday the 13th sequels. Paramount Pictures had honestly intended for the franchise to come to a conclusive end in 1984 with the fourth movie, to the point that it was even named "The Final Chapter." But much like Michael Corleone in The Godfather Part III, Paramount thought they were out, but were pulled back in. It turns out that The Final Chapter was such a big fat hit that they felt almost obligated to keep the franchise going. And just eleven months later, it was resurrected with Friday the 13th: A New Beginning. And nearly thirty years after its release, it's still notorious amongst fans of the series. So let's find out why that is, shall we?
It has been five years since Tommy Jarvis (John Shepherd) killed Jason Voorhees, an incident that has understandably left him with deep psychological scars. He's quite literally seeing visions of Jason everywhere he goes, and is on a ton of different medications to control these hallucinations. Tommy has spent the last half-decade being shuffled around various institutions, finally arriving at the Pinehurst Youth Development Center, a halfway house for troubled teenagers and young adults.
Tommy's first day at Pinehurst is not a peaceful one, as one of its more unstable residents hacks another to pieces with an axe in a fit of rage shortly after Tommy's arrival. Although he is quickly arrested, more brutal murders soon start happening in the area. But who is to blame? Is it that unhinged axe murderer? Could it be Tommy, having finally buckled under all that mental anguish? Could it be Jason, back from the grave? Or is it someone else entirely?
I earlier called A New Beginning one of the most notorious amongst the franchise's fanbase, and that's primarily due to the wildly differing opinions of the movie. There are those who'd argue that it's the worst of the franchise, that it marks the low point for the whole series. But then there's another camp that believes that despite (or because of?) all its flaws, A New Beginning is one of the most amusing and entertaining entries in the saga. And I'll confess that I used to be among those who hated the movie. But as time went by and I gave it more of a chance, I actually grew to like A New Beginning. But all truth be told, it's not a particularly good movie, nor is it even anywhere near being among the best of the franchise. The characters are goofy, the acting is hokey, and the script is stupid. It's also campy like you wouldn't believe, topped the franchise for highest body count, and is the one Friday the 13th flick that feels the most like a sleazy exploitation movie. And that's really not so bad, honestly, because it makes the movie feel a little more unique. When you're five movies deep into a franchise that would eventually spawn seven more chapters, doing something to stand out can't hurt, can it?
The movie was directed by the late Danny Steinmann, a one-time porn director who a year earlier had helmed the low-budget action flick Savage Streets, which starred Linda Blair in one of her few notable post-Exorcist roles. And if the movie feels like a sleazy exploitation film as I stated earlier, it's because that's the kind of movie Steinmann was known for and was good at making. While the franchise hadn't shied away from nudity in the past, Steinmann makes it feel more prevalent and fetishized. And despite some of the gore being trimmed or outright excised thanks to the MPAA (one kill involving a female victim getting a machete to her naughty bits had to be dropped entirely and replaced with something tamer), the movie also boasts the franchise's highest body count to that point at twenty-one kills. Steinmann, with this movie, had made pretty much the most stereotypical slasher movie he could. And that really isn't a bad thing at all.
The movie honestly feels kinda goofy, something that is simultaneously the movie's biggest strength and its biggest weakness. It's full of cheesy dialogue and silly characters, some of whom are actually introduced and killed off within the same scene. And then there's the much-maligned mystery regarding the killer's identity, which is handled in a way that there might as well be a giant neon sign that says "I'M THE KILLER!" flashing over the character's head at all times. To make a long story short, the script by Steinmann, Martin Kitrosser, and David Cohen is (for lack of a better description) a big ol' pile of dumb that contributes to the inability to the movie seriously at all. But this is what makes A New Beginning so charming too, because this lack of seriousness makes the movie more fun.
Even the cast gets in on the action. A lot of the actors are unbelievably over the top, but try their best to be memorable whether they're good or bad, even if they're only in one scene (as evidenced by Anthony Barrile and Corey Parker, who play a pair of greasers that look like they were excommunicated from the T-Birds from Grease and meet a gruesome fate after their car breaks down). The biggest standouts in my eyes, though, were John Shepherd, Miguel A. Núñez, Jr., and Carol Locatell. Shepherd is actually pretty believable in the role, playing Tommy as if he were fighting a war in his own mind. He comes off as shell-shocked, as if he were lost inside himself and in the hockey mask-wearing nightmares that bother him so. It's a damn good performance that I thought was better than the movie deserved.
Núñez and Locatell are, when approaching the movie from a less serious point of view, fantastic as well. Núnez is a lot of fun in his tiny role, showing a lot of the humor and charisma that would make him so likable in The Return of the Living Dead that same year. Locatell is also great as Ethel, Pinehurst's foulmouthed hillbilly neighbor. She steals the show, especially when playing off Ron Sloan, who plays her character's dumb-as-a-box-of-rocks son. Locatell makes the hilariously trashy Ethel one of the franchise's most memorable characters, her scenes serving as some of the movie's best moments.
I've said more than once here that Friday the 13th: A New Beginning is not a particularly good movie, and it isn't. Its reputation as one of the least of the franchise isn't completely undeserved. But one can't help but enjoy the unapologetically campy silliness of the whole thing. It boasts some unique kills and memorable characters, and blends the exploitation flick feeling with the traditional Friday the 13th atmosphere to create a movie that stands out from the rest. Like I said, A New Beginning might not be a good movie, but it's a hell of a lot of fun, and I'll never fault a movie for that.
Final Rating: **½
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