Captain America: The First Avenger (2011)

During World War II, American comic book publishers started cranking out tons of patriotic characters as a way to boost morale. While many of them would disappear as quickly as they were created, one would stand the test of time to become one of the most enduring characters in the industry. Created by Joe Simon and Jack Kirby for Timely Comics, Captain America was introduced before the United States even entered the war, debuting a full twelve months before the bombing of Pearl Harbor.

With its title character memorably punching Adolf Hitler in the face on the cover of the first issue, Captain America's book was a success. But his comic was ultimately cancelled in 1950, thanks in large part to the decline in popularity superheroes suffered after the war ended. Timely's successor, Atlas Comics, tried reviving him in 1953, but it was a commercial failure and Cap was cancelled again only a year later.

But as superheroes regained their popularity and the company that was once Timely Comics evolved into Marvel Comics, Captain America would make a comeback. He was formally reintroduced by Kirby and Stan Lee in 1964 and immediately inducted into the Marvel superteam known as The Avengers. He's been around ever since and earned status as one of Marvel's most venerable and courageous superheroes. He's been adapted into video games, cartoons, action figures, and other merchandise, and he's even been portrayed in movies. The first three of these movies were pretty awful, but the latest one more than makes up for those prior attempts. In short, it rules.

As the movie begins, so has the involvement of the United States in World War II, and Steve Rogers (Chris Evans) wants nothing more than to serve his country. But because he's a frail little runt with a long list of health issues, recruitment centers repeatedly turn him away as being unfit for duty. Steve's conviction catches the attention of Dr. Abraham Erskine (Stanley Tucci), a scientist working with the government's Strategic Scientific Reserve. Dr. Erskine enlists Steve into a small group of Army recruits and puts them into basic training, where the one with the best performance will undergo an experiment to create the first super-soldier. And despite Steve constantly bringing up the rear in practically every training exercise, the intelligence and courage he shows are enough to make him the perfect candidate for the procedure.

This experiment proves to be success, with Steve emerging from it taller and with a physical strength that matches his determination. But it ends in disaster as well. A German spy infiltrates the laboratory, killing Dr. Erskine and destroying the lab. Without Dr. Erskine's expertise, it will take years to create a duplicate of the super-soldier formula from Steve's blood. Rather than let him sit around as a lab rat, the government puts Steve to work promoting war bonds and performing at USO shows as the costumed "Captain America."

But he'll soon venture into combat, as the military has learned that dozens of soldiers have been captured by Hydra, the Nazi regime's scientific research division. This news hits Steve particularly hard, as one of the prisoners is his best friend, Bucky Barnes (Sebastian Shaw). Steve goes behind enemy lines against orders and frees the soldiers from a Hydra laboratory, in the process discovering that the group's commander — the megalomaniacal Johann Schmidt (Hugo Weaving) — intends to break Hydra away from Hitler and the Nazis with his own plans for complete global domination.

To accomplish this, Schmidt has acquired a seemingly magical object known as the Tesseract, harnessing its immense power and channeling it into high tech weaponry. And with these weapons, the destruction of all those who oppose Schmidt is imminent. An all-out attack on the United States is looming on the horizon, prompting Steve to assemble a team of commandos to lead into battle against Schmidt and Hydra.

I went into Captain America: The First Avenger hoping for the best. I've been enjoying Marvel's build to the Avengers movie thus far, and the trailers for the movie were promising. It looked like it would be pretty good. I just didn't realize that it would be this awesome. No joke, the movie is fantastic. It definitely rivals X-Men: First Class for the title of "best superhero movie of 2011." The movie is fun, charming, exciting, and entertaining, giving me all I wanted out of it and more.

At the helm is Joe Johnston, who I thought was a perfect choice to direct. If you're going to make a movie about a WW2-era superhero, who better to have direct it than the guy who made The Rocketeer? Johnston's direction is tremendous here, boasting a fantastic energy that really pulls the audience into the movie. While he doesn't quite give the truly epic feel that it probably should have, Johnston still does a damn fine job putting this thing together. The only bad part is that there are a few instances the CGI and green-screen effects looked really hokey. It's like the effects guys spent so much time making Chris Evans look puny (which I personally thought was pulled off really well) that they had to start rushing things towards the end of the movie.

And really, I didn't think the movie needed to be in 3D either. Having seen it in both 3D and 2D, there are a few instances where the 3D does give the movie a grander, more epic feel. But I felt that the movie still works in 2D. That, though, may be in part to Captain America being one of those 2D-to-3D post-production conversions. Those can be pulled off successfully, like how it was done for Thor. And like I said, there are moments in Captain America that look really cool in 3D. But you're not going to be missing too much if you choose the 2D version instead.

But let's move along to the script by Christopher Markus and Stephen McFeely. I actually felt that the script's flaws were few and far between. Mainly, there were two flaws I found. One problem I had with the script was how the Howling Commandos were handled. The team of soldiers assisting Captain America is basically a group of one-note characters who sadly don't contribute much to the movie. I know this is the Captain America movie and not the Howling Commandos movie, but you'd think they could have done more with the characters.

I also thought the ending came rather abruptly. It felt like the climax started trucking along at a pretty good pace and then it just plain tapered off. I don't exactly know what I was expecting, but I thought it felt a little on the rushed side. It felt abrupt enough that the emotional punch they were going for is somehow lessened a little bit. The whole thing is sadly anticlimactic, making it more disappointing than anything else.

The rest of the script, though, is aces. Markus and McFeely perfectly captured the essence of Steve Rogers, making him look like a hero even before he's introduced to the super-soldier serum. And outside of my complaint about the misuse of the Howling Commandos, the writers handled all of the other characters incredibly well. And the way that they crafted the story, with all its triumphs and tragedies, is well done. The combination of the story and the characters really makes you care about the protagonists and what happens to them, making it an effective piece of storytelling.

But it would have all been for naught had the cast been anything less than great. However, the actors are indeed up to the task and deliver solid performances across the board. Most of the reviews I've seen have pretty much ragged on Chris Evans's performance, but I thought he did a fine job. Evans plays the part believably, giving Captain America the strength and determination that he needed. He portrays the character as courageous and willing to fight for what he believes in, everything that the comic book Captain America is

But Evans comes dangerously close to being out-shined by Hugo Weaving, who is a hell of a lot of fun in the role. Weaving is perfect as the Red Skull, playing the role with a psychotic menace and a certain hammy Bond villain flair. He always plays great villains, though, and his performance here is no exception.

And the rest of the cast all provide fine performances. Hayley Atwell is enjoyable as British officer (and Steve's love interest) Peggy Carter. Atwell plays the role with charm and strength, and she and Evans have a nice chemistry together that makes their romance believable. I enjoyed their scenes together, but they could have used more scenes together in the final cut of the movie. It isn't bad as it stands now, but I thought it could have stood being developed a bit further.

Tommy Lee Jones and Toby Jones are also really entertaining as their respective roles, while I thought Sebastian Stan was also good despite not having a lot of screen time. It really did feel like a lot of Stan's scenes were left on the cutting room floor, because his role is played as being bigger than evidenced by the amount of time he's actually in the movie. His character, Bucky Barnes, is an important part of the Captain America mythos and the movie version is depicted as Cap's closet friend, yet he feels like he's barely in the movie at all. But Stan still contributes a solid performance that I can't complain about.

And last but most certainly not least is Stanley Tucci. Tucci makes the role feel bigger than it is, bringing a sense of hopefulness and kindness to the character. He plays the role so well that, even though my existing familiarity with Captain America's origin meant I knew going in that Dr. Erskine wouldn't live to see the movie's closing credits, I was still a little saddened by his demise. Tucci was that good.

I've read more than one review of Captain America negatively critiquing it, railing against the movie because of their perception that it's just an extended commercial for next year's Avengers movie. (And wouldn't you know it, there's a teaser for The Avengers following the movie's credits.) But to knock it for hyping The Avengers just seems like nitpicking just for the sake of nitpicking. As a standalone movie, I thought it worked. The movie is a lot of fun, a really entertaining way to spend two hours. And while we wait another year for The Avengers, I wonder how foreign territories will respond to this movie. Will Captain America be well-received overseas? Hmm...

Final Rating: ****

Captain America II: Death Too Soon (1979)

In my previous review, I spoke of how Marvel Comics teamed with CBS in the '70s to create a number of live-action television projects based on Marvel's characters. And with the exception of The Incredible Hulk, none of them really turned out that well. Of particular note was the movie based on Captain America, which was not only boring, but just a poor adaptation of the character in general. It was awful, but the ratings had to have been decent because they made a sequel. Let me repeat that:

THEY MADE A SEQUEL.

Yes, CBS actually did run a sequel to that piece of crap. Broadcast just ten months after the first one, Captain America II: Death Too Soon was proof positive that its makers didn't learn their lesson from the first movie, because it's awful. The thing is a downright poor excuse for a movie, and if Marvel ever wanted to pretend it never existed, I wouldn't stand in their way.

Steve Rogers (Reb Brown) has set up shop as a caricaturist on the beach boardwalk of a small town on the California coast, continuing to help his fellow man as the masked hero "Captain America." But the muggers and purse-snatchers he's been fending off lately will be nothing compared to what he'll soon be up against. An international terrorist named General Miguel (Christopher Lee) has gotten his hands on a chemical weapon that can greatly accelerate the aging process in its victims. With it, he plans on holding Portland, Oregon hostage for a hefty ransom. And it's naturally up to Captain America to save the day.

I don't know how the first movie performed in the ratings, but I guess it must have done well enough for CBS and Marvel to make a sequel. It's either that or they wanted to test the waters with a second pilot to see if there was sufficient interest in the property continuing as a series. A Captain America TV show never came to fruition, and judging by these two movies, I'm glad for it. The show probably would have been cancelled after a few episodes anyway.

At the helm is Ivan Nagy, whose only other notable credits are a few episodes of Starsky & Hutch and CHiPs (and judging by the names of some of the movies listed his IMDB profile, a whole bunch of porn too). While some things have been improved for this sequel, particularly Captain America's ugly costume from the first movie having been altered to something more closely resembling his comic book uniform, it's readily apparent that Nagy doesn't feel the need to try spicing things up. Sure, the costume is a step in the right direction and the fight scenes aren't as ridiculously goofy as they were the first time around, but there isn't much of a difference in the direction. And really, if you've seen one bad '70s action-themed television show, you've pretty much seen them all.

But let's move on to the script, penned by Patricia Payne and veteran TV writer Wilton Schiller. While the plot is better constructed and the dialogue is a very slight step up from the first movie, it's still an unbelievably silly mess. And Payne and Schiller must not have been able to come up with a script that was long enough, because the movie is padded with scenes that either do not accomplish anything or go on for far too long. Seriously, did that hang gliding sequence need to take up three minutes of the movie? CBS could have taken a commercial break there and come back without missing anything.

Payne and Schiller have at least tried turning in something better than the first movie, but the improvements are slight at best. It seems like they could have turned out a better script if they'd had longer than a few months to write it, and if it hadn't been a sequel to a crappy movie. If it'd been an original movie based on an original character, perhaps Payne and Schiller could have stepped it up a little. But nope, we're stuck with this. Sigh.

And bringing up the rear is our cast, the performances from whom are pretty much exactly the same. Barely anything has changed at all. I could probably copy-and-paste the paragraph from my other review into this space. Reb Brown does seem a bit livelier than he was previously, but the guy is still way too calm. Not once did I hear him even so much as raise his voice. Come on, Reb! I've seen some of your other movies, I know that's not like you! I'd much rather see the Reb Brown that screams and wildly opens fire with a machine gun. The movie still would have been awful, but it would have been a lot more fun.

The rest of the cast is sadly but expectedly unremarkable. (Geez, it feels like I'm writing the same review twice.) But I must make mention of the actor playing our villain, the one and only Christopher Lee. Yes, the same Christopher Lee that appeared in The Man with the Golden Gun, the Star Wars prequels, the Lord of the Rings trilogy, and as Count Dracula in the legendary "Hammer Horror" films. And why he's appearing in this, I have no idea. He's better than this; he always has been. Lee is actually pretty good here, though the material is beneath him. It's just a shame that the role wasn't written better, because had Lee's character been a more proactive villain, it would have been a lot more awesome.

I can't even begin to understand why somebody thought it was a good idea to make this movie, let alone air it on national television. Even if it does try to slightly improve upon the crap that was the first movie, you can only try polishing a turd so much. But I'm actually a little sad that both movies have fallen into obscurity, because this kind of silliness needs to be seen by as wide an audience as possible. More people need to see what bad superhero movies can look like, so they can appreciate the good ones. So yeah, I'm going to give Captain America II: Death Too Soon one star on the scale. And as cheesy as some of his action movies might be, I still want to see Reb Brown in the Expendables sequel. That'd be awesome.

Final Rating: *

Captain America (1979)

For the last decade or so, Marvel Comics has been cornering the market on superhero movies. But you younger readers might be surprised to learn that before they started showing up in movie theaters, live-action adaptations of Marvel's characters were all over television instead. After the successes that DC Comics had on TV with Adam West's Batman and Lynda Carter's Wonder Woman in the '60s and early '70s, Marvel tried duplicating it with their own superheroes.

To accomplish this, Marvel teamed up with CBS — the network that aired the second and third seasons of Wonder Woman — to create a batch of TV shows and made-for-TV movies. Their cartoons during the '60s were popular, so why wouldn't their '70s live-action efforts be? Alas, they didn't turn out so well. The only one that had any sort of lasting impact was the Incredible Hulk TV show that starred Bill Bixby and Lou Ferrigno. And the movies, which I'm guessing were supposed to be backdoor pilots, just weren't good.

The most notable of these made-for-TV movies were the two (yes, two) based on Captain America, the patriotic super-soldier created by comic book icons Joe Simon and Jack Kirby shortly after the start of World War II. Captain America has always been one of Marvel's most enduring characters, so he naturally wouldn't be left out of something like this. And that's too bad, because these two movies are just plain awful. But let's begin at the beginning and start with the first one, which aired on CBS on January 19, 1979. And take it from me: if you haven't seen it, you aren't missing much.

Our story focuses on Steve Rogers (Reb Brown), an ex-Marine fresh out of the service who's perfectly content to just drive around America and make a meager living as an illustrator. He's approached one day by Dr. Simon Mills (Len Birman), a scientist who has spent decades working on an experimental serum for the government. Named the Full Latent Ability Gain, shortened to just FLAG, the serum has the ability to greatly enhance a recipient's physical abilities. The one catch, though, is that none of the lab rats it's been tested on have survived longer than two weeks.

Dr. Mills and his assistant, the lovely Dr. Wendy Day (Heather Menzies), have reached out to Steve in the hopes that he can help them. His dearly departed father had aided in FLAG's development, even going as far as to test it on himself. The experiment was a success, and he secretly used the abilities FLAG granted him to become a crimefighter before his untimely demise. Since Steve and his father have a similar genetic makeup, Dr. Mills theorizes that Steve would make a perfect candidate for FLAG and could become the super-soldier that his father could have been.

Steve's answer: "No." I'm not sure why; I'm not sure even Steve knows why. But the guy turns it down. It doesn't matter, though, because Steve soon finds himself critically injured in a car accident shortly after leaving Dr. Mills's laboratory. The accident has left him on the verge of death, and in order to save his life, Dr. Mills gives him the serum anyway. This turn of events doesn't sit too well with Steve once he regains consciousness. He pretty much tells Dr. Mills to go screw himself, and that he plans on living his life like nothing ever happened.

What he doesn't know is that things don't always work out as planned. It turns out Steve's car accident had been orchestrated by Lou Brackett (Steve Forrest), an oil tycoon who wants to branch out into domestic terrorism. A recently murdered friend of Steve's had been developing a neutron bomb, the plans for which Brackett wanted for himself. He'd had Steve's friend murdered to acquire those plans, and tried killing Steve under the assumption he knew something about it.

Brackett eventually does assemble his own neutron bomb, and with it plans to nuke Phoenix and steal 1.4 billion dollars worth of bullion from the city's gold depository. And that just isn't cool at all. Unwilling to stand by and let so many innocent people die senselessly, Steve transforms himself into the heroic "Captain America" and vows to save the day.

I just don't know where to begin. This movie is just so frustratingly awful that any words I could use to describe it escape me. I can forgive a bad movie as long as it's cheesy and at least somewhat entertaining in its ineptitude. But where Captain America fails as a bad movie is that it's a tremendous bore. Don't be fooled by the fact that my plot synopsis is five paragraphs long; there's nothing going on in this movie. Nothing happens during this whole stupid thing. I loathe bad movies like that too, because it's much more fun (and frankly, a lot easier) to mock crappy movies that have an aura of silliness to them. But movies like this, ones that are not only bad but boring to boot, are nothing less than painful to write about.

If this was really supposed to be a backdoor pilot for a Captain America TV show as I suspect, then it's a pretty miserable attempt at such. I was more filled with contempt for its existence rather than a desire to see the further televised adventures of Steve Rogers. This piece of crap is practically a chore to get through. And what makes it that way is a combination of a number of things. One is the unbelievably mediocre direction from Rod Holcomb, a veteran TV director who's helmed episodes of a ton of classic shows over the course of his three and a half decades in the business. Captain America was one of his earliest forays into directing, and frankly, he does a piss-poor job.

I can understand that the movie looks like a low-budget TV show, since it pretty much is. But Holcomb doesn't even make an attempt to inject any sort of life or excitement into the movie. He doesn't draw good performances from his actors, the cinematography is weak, and the action scenes are just plain boring. And then there was the stupid decision to not show Captain America in his full costume until 71 minutes into the movie! If you watched it on television without the commercials edited out, it's 94 minutes! The movie had the balls to take that long to give us Captain America in his costume. That's just not cool. And call me crazy, but I get the idea that Holcomb simply did not care.

But then why should he care when the writer couldn't be bothered to? The script was penned by Don Ingalls, himself a veteran within the TV industry. I just can't believe how bad the writing is. The worst part of it all is just how badly Ingalls screwed up the title character. In the comics, Steve Rogers was a frail yet strong-willed young man who wanted do nothing more than serve his country in World War II. A military science experiment turned him into a super-soldier, advanced to the peak of natural human ability and made into the living embodiment of everything good about the United States and humanity in general. He's one of the most respected and beloved superheroes in the Marvel Universe. But in this sweaty turd of a movie, Steve Rogers is some burly dude who just wants to drive around the country and not do much of anything. He's shot up with super-steroids against his will and does nothing but whine about it until essentially being talked into becoming a superhero.

I don't know how it was in the '70s, but this utter lack of respect in regards to the source material is disappointing and insulting. Ingalls practically stripped away every bit of dignity the Captain America character had and turned him into a lunkhead wearing cheap spandex tights and a motorcycle helmet. I know comic books were viewed differently then than they are now, but Cap is a character who could have kicked ass on television if he were treated right. Ingalls doesn't swerve into full-blown camp parody like William Dozier did with the Batman TV show, but his apparent lack of respect for the comic book character is sad.

Beyond his crappy take on Steve Rogers, Ingalls doesn't write anything worth talking about. The plot is so threadbare that it barely exists at all, a 30-minute story stretched out to three times that with no improvements made to fill the added running time. You know, I'd like to go back in time and ask Ingalls just what in the blue blazing hell he was thinking when he wrote this thing. I'm sure he was just hoping to cash a nice CBS paycheck for writing some dumb little comic book movie, but is it so hard to friggin' try to write something that doesn't suck?

Even the music totally sucks. Composed by Mike Post and Pete Carpenter, a pair of musicians who contributed to some of the most famous television shows of the '60s, '70s, and '80s, the music quite simply does not fit at all. Their music here is remarkably bland and quite unbecoming of a superhero movie, which I guess is a pretty good summary of the whole movie in general. It's way too mellow and doesn't suit any scene in the movie at all.

And naturally, the acting blows too. Like you'd expect any different. In the title role is Reb Brown, star of the tremendously awful Space Mutiny. Captain America is actually a departure from Brown's usual performances. Instead of yelling and screaming and acting like a total spaz while blowing things up like he does in most of his movies, Brown is laid back and casual. It's like he took a whole bunch of downers during production. Nobody will ever accuse Brown of being a good actor. But his cheesy overacting in bad foreign action movies is a heck of a lot more entertaining than this.

The rest of the cast also fails to make any sort of positive impression. Lens Birman seems like he wanted to put forth an earnest performance, but he just struck me as being stiff. Heather Menzies is forgettable, and Steve Forrest simply doesn't make for a very believable villain. I know Captain America doesn't have a very well-known rogues' gallery outside of the Red Skull, but couldn't they come up with something other than an oil tycoon holding a gold depository hostage with a bomb? That's worse than the worst Bond villain. The fact that this is such a weak character doesn't help Forrest's performance any, though he isn't all that great regardless of the writing.

I don't know what else there is for me to say about this stupid movie. There are only so many nasty things you can say about a bad movie before you get tired of it, and Captain America is awfully close to wearing out its welcome. It's a failure as a superhero movie; it's a failure as a pilot for a TV show; and it's a failure, period. It's actually worse than that Captain America movie from 1990, and that's saying something. So this movie gets one star and a recommendation to avoid at all costs. But do you want to know the really sad part? It gets worse. It gets much, much worse. Stay tuned.

Final Rating: *

Hobo With A Shotgun (2011)

When Grindhouse was released in 2007, one aspect of it that really stuck with people was the fake trailers sprinkled throughout the movie. These advertisements for non-existent exploitation movies were so well-received that fans began clamoring for them to become real movies. Robert Rodriguez did just that with his Machete trailer last year, making it the first to go from fake trailer to real movie. But it's now not the only one. The second was a recently released Canadian-based production called Hobo With A Shotgun.

Hobo With A Shotgun began as a fake trailer created by a trio of filmmakers from Nova Scotia. It won a contest organized by Robert Rodriguez at the "South by Southwest" festival in 2007, being rewarded with an inclusion in some Canadian theatrical screenings of Grindhouse and status as one of the bonus features on Grindhouse's Blu-ray release. A few years would pass, but the trailer's creators culled together the necessary financing to expand Hobo With A Shotgun into a feature film. They even somehow managed to get Rutger Hauer of all people to play the title role. And let me tell you the honest facts: the movie is awesome.

As the movie begins, we're introduced to a nameless hobo (Rutger Hauer) as he catches a ride on a freight train. He eventually arrives in Hope Town, a lawless city overrun by crime and iniquity. The streets are plagued with senseless violence, pimps selling underage hookers, pedophiles dressed as Santa Claus, and people making their own versions of the Bumfights videos. The ringleader for the whole thing is Drake (Brian Downey), a mobster who runs a criminal empire with his sons Slick (Gregory Smith) and Ivan (Nick Bateman). Thanks to their efforts, every lowlife in Hope City is running wild while innocent people are too afraid to stand up for themselves.

But the hobo is gonna change things. He stops Slick from kidnapping a young prostitute named Abby (Molly Dunsworth) and hauls him to the police station. But he's rebuffed by the cops — all of whom are corrupt — and is beaten to a bloody, mangled pulp. After spending the night recovering at a grateful Abby's apartment, the hobo's luck gets worse when he finds himself caught up in a robbery at a pawn shop. Unwilling to let it slide, the hobo takes a shotgun from one of the shop's displays and kills the thieves. He pays for the shotgun and begins using it to wipe out every crook in the city. The ensuing war between the hobo and Hope City's criminal element causes chaos in the streets and ultimately leads to a showdown between the hobo and Drake.

I can't even begin to properly describe just how awesome Hobo With A Shotgun is. From the moment it begins to when the closing credits roll, the movie is nonstop fun. It's like they rolled everything about '70s and '80s vigilante movies that kicked ass and lumped them together into one exciting 96-minute package. It's so badass, in fact, that I'll tell you to stop reading this review right now so you can go out and pick up a copy of it. Do it. Now. Seriously, I'm not joking.

Okay, if you're still here, I might as well go through my usual routine. The movie was directed by Jason Eisener, who brings a lot of style to the show. His enthusiasm for the project shows, as Eisener brings a tremendous energy to it. It feels just like one of those old vigilante movies, and the fact that it doesn't take itself seriously makes it more entertaining. My only problem is that it appears almost too colorful. Maybe it's because of how new the movie is and the fact that I watched it on Blu-ray, but I missed the old-fashioned gritty look of those movies Hobo With A Shotgun was paying tribute to. If I'd watched a faded print of it on some worn-out VHS tape that I'd rented from a mom-and-pop video store, it probably would have looked more true to the movies it was striving to be like.

John Davies contributes the screenplay, which I thought was really great. Davies goes through pretty much all the tropes and clichés you'd expect, playing them in such a way that it makes all of them a lot of fun. And his use of cheesy dialogue and one-liners ("Put the knife away, kid, or I'll use it to cut welfare checks from your rotten skin.") adds an element of unfettered silliness.

Never once does Davies try writing anything other than a sleazy exploitation movie. While Machete bogged itself down with its pro-immigration allegory, Hobo With A Shotgun has nothing to say. It merely wishes to cram itself with as much insanity as possible. And besides, when you've got a movie where hookers use a man as a piñata and a bus full of schoolchildren are burned alive by the villains, there's not really much room for any sort of social commentary. Where would you fit it in?

Let's move along to the cast, who I really liked. Molly Dunsworth is sweet and charming as the movie's resident "hooker with a heart of gold," playing the role with a lot of amiable warmth. Our villains, on the other hand, are unbelievably outrageous. Gregory Smith and Nick Bateman are incredibly over the top, while Brian Downey chews the scenery with such ferocity that I can practically hear his overacting coming from the DVD case as we speak. There's no way to take Smith, Bateman, or Downey seriously, but isn't that the point of the whole movie?

But one cannot speak of Hobo With A Shotgun without mentioning its star. Rutger Hauer has been in the acting game for forty years, but this movie almost seems like the one he was born for. He plays the titular hobo with a fiery zeal that makes him frightening at times, yet he also adds a sympathetic tenderness in certain places throughout the movie. Hauer is absolutely perfect here, and the movie is stronger for his presence.

Hobo With A Shotgun was legitimately some of the most fun watching a movie I've had in a while. The movie has no qualms with doing something crazy in order to get a reaction out of its audience. But there aren't enough good things I can say about it. Hobo With A Shotgun is a movie worth seeing if you love low-budget action movies from the '70s, or awesome things in general. So on my typical scale, the movie gets four stars and a proud recommendation from yours truly. And remember: when life gives you razorblades, make a baseball bat covered in razorblades.

Final Rating: ****

This Is Spinal Tap (1984)

Not every movie can age well. The passage of time can ravage them, leaving them outdated relics from days gone by. This is especially true of comedies, as what was funny when they were released may not be funny in the future.

There are some, though, that can withstand the test of time. One of those movies is This Is Spinal Tap, a movie that is as funny now as it was twenty-seven years ago. A "mockumentary" spoofing the excesses and eccentricities of '80s rock bands, This Is Spinal Tap just may be one of the most charming comedies I've ever seen.

The movie takes the form of a documentary being made by Marty DiBergi (Rob Reiner) as he shadows his favorite heavy metal band, Spinal Tap, during their 1982 North American tour. Granted unprecedented access into the band's daily grind, DiBergi gets to know Spinal Tap's three primary members — lead singer David St. Hubbins (Michael McKean), guitarist Nigel Tufnel (Christopher Guest), and bassist Derek Smalls (Harry Shearer) — as they deal with the tour's surmounting difficulties.

This Is Spinal Tap is one of those comedies that's consistently funny all the way through. Not every joke is a "rolling in the aisles" gut-buster, but every scene has at least one or two things that will most definitely elicit a laugh. Though the movie satirizes rock stars from the early '80s, its satirical nature continues to be effective. I'm sure there are more than a few musicians out there who, like Spinal Tap, take themselves way too seriously despite being total kooks. There are actually more than a few rock stars who've said that the movie is actually a pretty close recreation of things that happened to them during their own tours. And maybe that's why This Is Spinal Tap continues to hold up after nearly thirty years.

The movie really doesn't have much in the way of story, but is instead mostly a series of vignettes documenting Spinal Tap's various misadventures. The band gets lost on the way to the stage before a concert. A replica of a megalith from Stonehenge that's built for one concert ends up being not 18 feet tall as intended, but 18 inches. A scheduled autograph signing goes awry when the only people that show up are Spinal Tap themselves. I could go on and on, so I'll just say what others have said: This Is Spinal Tap may be just a collection of moments and scenes, but these moments and scenes are all fantastic in their own ways.

And it's largely due to the cast. Everyone in the movie makes their own humorous contributions, but the funniest bits come from Spinal Tap themselves. Michael McKean, Christopher Guest, and Harry Shearer are hilarious, and since the movie's dialogue is predominantly ad-libbed, their characters come off as far more realistic and believable. I was also impressed by their musical ability, with McKean, Guest, and Shearer actually performing all the songs themselves. (Considering they've done multiple concerts and two further albums as Spinal Tap, even performing at the Freddie Mercury tribute concert at Wembley Stadium in 1991, this shouldn't come as a surprise.) The rock tunes are all really catchy; their sophomoric lyrics properly suiting the whole aspect of the musical style that the movie's parodying.

Comedy is a largely subjective genre. What some find funny, others might not. But This Is Spinal Tap has plenty here for everyone to get a laugh from. It's a wonderfully hilarious movie from start to finish. If you've never seen the movie, this review may not convince you to (and it's certainly not the best one I've ever written). But you'll be doing yourself a favor by checking it out at least once. It's well worth the watch, most definitely a movie worth cranking up to eleven.

Final Rating: ****